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  • 發布日期:2016/10/11
    更新日期:2018/06/14
吳金桃
  • 職稱:副研究員
  • 電話:+886-(02)-3789 7285
  • 傳真:+886-(02)-2782 7616
  • 電郵:chintao@sinica.edu.tw
  • 助理姓名:張起綸
  • 助理電話:+886-(02)-3789 7234
  • 助理電郵:changAC@gate.sinica.edu.tw
吳金桃

主要學歷

  • 倫敦大學西洋藝術史博士 Ph.D. in History of Art, University College London

主要經歷

  • 1991-2000 Part-time Art Worker at the Bethnal Green Museum of Childhood, Victoria and Albert Museum, London, U.K.
  • 1998-1999 J. Paul Getty Post-doctoral Research Fellow, School of World Art Studies and Museology, University of East Anglia, U.K.
  • 2003-2012 Honorary Research Fellow, Department of History of Art, University College London, U.K.
  • 2000-2001 國立藝術學院藝術行政與管理研究所專任助理教授
  • 2001-2004 南華大學美學與藝術管理研究所助理教授
  • 2012-   Honorary Research Associate, Department of History of Art, University College London, U.K.

研究主題

  • 主要研究領域為當代藝術與文化及文化研究
  • 2001-2002 藝術界裡跨洲際的資本:英國和日本企業的藝術贊助 (NSC-90-2420-H-343-002)
  • 2002-2004 泥塑缺席和否定存在:懷特瑞德和撒塞多的記憶空間 (NSC91-2411-H-343-003)
  • 2003-2005 蒙娜‧哈屯作品中地/域及錯置/離散的意象 (NSC 92-2411-H-343-003)
  • 2004-2006 雪潤‧內夏特的女性再現專題研究 ( NSC 93-2411-H-001-096)
  • 2005-2007 跨國雙年展機制和離散藝術家的興起 ( NSC 94-2411-H-001-036)
  • 2006-2007 跨國雙年展機制與藝術全球化 ( NSC 95-2411-H-001-095)
  • 2007-2011 當代藝術與時尚贊助(NSC 96-2411-H-001-039)
  • 2010-2013 歐亞雙年展之比較研究(NSC 99-2410-H-001-069)
  • 2011-2012 萬里我獨行:金守子作品中女性行旅的圖像 (NSC 100-2410-H-001-094-)
  • 2012-2013 異地漂泊:卡拉慕斯塔弗(Gülsün Karamustafa)與邊界跨越之藝術 (NSC 101-2410-H-001-098-)
  • 2013-2016 當代藝術變色龍:一個雙年展的觀點(NSC 102-2410-H-001-088-MY3)
  • 2016-2017 崔西‧艾明(NSC 105-2410-H-001-076-)
  • 2017-2018 煎蛋與陽具:桀驁不馴的莎拉·路克斯 (NSC 106-2410-H-001 -081 -)

學術服務

  • 2003-   DATA Browser Series Advisory Board (http://www.data-browser.net)
  • Dec. 2006- The Art Book Advisory Board (UK Association of Art Historians 與Blackwell Publishing 聯合出版) (http://www.ingentaconnect.com/content/bpl/artb) 
  • Dec. 2006- Yaddo-New York Public Library Advisory Committee (http://yaddo.org/yaddo/home.asp)

學術榮譽

  • 1999 -   Honorary Research Fellow, UCL(倫敦大學榮譽研究員)
  • 2002   榮獲國科會吳大猷先生紀念獎
  • 2007   應挪威當代藝術中心邀請,駐奧斯陸訪問一個月,由挪威文化與宗教事務部、外交部贊助。(5 May- 5 June 2007)
  • 2008   榮獲Felix Burda獎,此獎項為德國「藝術與媒體科技中心」(ZKM,Zentrum fur Kunst und Medientechnologie)主辦,由 Hubert Burda Foundation贊助。
  • 2009   榮獲中研院年輕學者著作獎
  • 2012   國科會100年度傑出研究獎

著作目錄

一、專書

  1. 2002. Privatising Culture: Corporate Art Intervention since the 1980s (精裝版). London and New York: Verso. (288 pages) * 本書入選為華盛頓郵報2002年度最佳藝術書籍
  2. 2003. Privatising Culture: Corporate Art Intervention since the 1980s (平裝版). London and New York: Verso. (392 pages)
  3. 2005. Privatising Culture 土耳其文翻譯本出版:Kültürün Özelleştirilmesi: 1980'ler Sonrasında Şirketlerin Sanata Müdahalesi, translated by Esin Soğancılar. Istanbul: IletişimYayınları. (502 pages)
  4. 2006. Privatising Culture 巴西葡萄牙文翻譯本出版: Privatização da Cultura: A intervenção corporativa nas artes desde os anos 80, translated by Paulo Cezar Castanheira. Sao Paulo: Boitempo Editorial. (408 pages)
  5. 2007. Privatising Culture 西班牙文翻譯本出版: Privatizar la cultura: La intervención empresarial en el mundo del arte desde la década de 1980, translated by Marta Malo de Molina Bodelón. Madrid: Ediciones Akal, S. A. (376 pages)

二、專書論文

  1. 1996. 'Corporate Collectors of Contemporary Art in Britain', in Rosanne Martorella, ed., Art and Business: An International Perspective on Sponsorship (Westport, CT and London: Praeger, 1996), pp. 89 - 100.
  2. 1999. 'Art Amongst the Brokers: The Art Patronage of Finance Houses in America and Britain since the 1980s', in Jutta Held, ed., Kunst und Politik: Jahrbuch der Guernica - Gesellschaft (Osnabruck: Universitatsverlag Rasch), pp. 55-67.
  3. 2010. 'YBA Saatchi? - from Shark Sensation to Pastoral Painting', in Anne Ring Petersen, Mikkel Bogh, Hans Dam Christensen, and Peter Norgaard Larsen, eds., Contemporary Painting in Context (Museum Tusculanum Press, University of Copenhagen), pp. 193-212.
  4. 2011.〈無邊界的雙年展?〉('Biennials without borders?' 中文版翻譯),《2010 年台灣視覺藝術年鑑》,台北:藝術家出版社,100年9月,頁112-116。
  5. 2012. 'Biennials without borders?', in Zoya Kocur & Simon Leung, eds., Theory in Contemporary Art in 1985: An Anthology (Chicester, UK: Wiley-Blackwell).
  6. 2012. 'The Collector as Phoenix: Can Charles Saatchi Rise from the Ashes?', in Charlotte Gould and Sophie Mesplède, eds., Marketing Art in the British Isles, 1700 to the Present: A Cultural History(Surrey, UK: Ashgate).
  7. 2013. ‘Javno finansiranje umetnosti u Americi i Britaniji— uvodna razmatranja (Public arts funding inAmerica and Britain: preliminaries)’, in Jelena Stojanović, ed., Savremena Umetnost i MuzejKritika političke ekonomije umetnosti (Beograd: Muzej Savremene Umetnosti, 2013), pp. 271-314. (塞爾維亞文出版品)
  8. 2014. ‘Scars on the Landscape: Doris Salcedo between Two Worlds’, in Warren Carter, Barnaby Haran and Frederic J. Schwartz, eds., ReNew Marxist Art History (London: Art / Books, 2014), pp. 458-476.
  9. 2016. ‘Что произошло с институциями искусства во времена Тэтчер и Рейгана? Чин-Тао Ву о становлении корпоративной культуры, в которой мы живем’ ("Embracing the Enterprise Culture: Art Institutions Since the 1980s"俄文版翻譯), on Разногласия, Issue 10. (俄文網路期刊) http://www.colta.ru/articles/raznoglasiya/13227

三、期刊論文

  1. 1998. 'Embracing the Enterprise Culture: Art Institutions Since the 1980s', New Left Review, 230 (July/August 1998), pp. 28-57.
  2. 2004. 'Tokyo's High-Art Emporia', New Left Review, no. 27 (second series), May/June 2004, pp. 121-28. (國科會計畫: 藝術界裡跨洲際的資本:英國和日本企業的藝術贊助 NSC-90-2420-H-343-002)
    • 西班牙文版翻譯:‘Los emporios de las bellas artes en Tokio’, New Left Review (Spanish Version), no. 27, 2004, pp. 106-112.
  3. 2007. 'Worlds Apart: Problems of Interpreting Globalised Art', Third Text, 21(6) (November 2007), pp. 719-731.
  4. 2007. 'Occupation by Absence, Preoccupation with Presence: A Worm's-Eye View of Art Biennials', Journal of Visual Culture, 6(3) (December 2007), pp. 379-386.
  5. 2007. 'Konsernenes inngrep i kunstverdenen: noen problemstillinger til debatt', Kunstjournalen B-post, 01_2007 (December 2007), pp. 19-24.
  6. 2009. 'Biennials without borders?', New Left Review, 57, May/June 2009, pp. 107-115.
  7. 西班牙文版翻譯:'¿Bienales Sin Fronteras?', New Left Review (Spanish version), 57, Jul/Ago 2009, pp. 100-107.
  8. 中文版翻譯:〈無邊界的雙年展?〉,《典藏‧今藝術》,第218期,99年11月,頁192-195。
  9. 韓文版翻譯: '국경 없는 비엔날레?', Visual, Vol. 8, 2011, pp.27-48. (정윤희 Chung Yunhee 翻譯)
  10. 土耳其文版翻譯:'Bienaller Gerçekten Sınır Tanımıyor mu?', e-Skop: sanat tarihi eleştiri (http://www.e-skop.com/), 3 Oct. 2011. (Elçin Gen翻譯)
  11. 葡萄牙文版翻譯:To be published in the Brazilian journal Novos Estudos in June 2012.
  12. 2009. 'Biennials without borders?', Tate's Online Research Journal, Autumn 2009.http://www.tate.org.uk/research/tateresearch/tatepapers/
  13. 2009. 〈覆罩的異國情調:雪潤‧內夏特(Shirin Neshat)早期的女性攝影作品〉,《台灣社會研究季刊》,第76期,98年12月,頁217-276。(國科會補助計畫:雪潤‧內夏特的女性再現專題研究 NSC-93-2411-H-001-096)
  14. 韓文版翻譯:'모나 하툼, 입주 작가: 공동체와의 유목적 관계', The Journal of Art Theory and Practice, 10, pp. 81-90.
  15. 2010. Ena Ying-tzu Chang & Chin-tao Wu, 'Mona Hatoum, Artist in Residence: A Nomad's Relationship to Community',The Journal of Art Theory and Practice, 10, pp. 91-99. (國科會補助計畫:蒙娜‧哈屯作品中地/域及錯置/離散的意象NSC-92-2411-H-343-003)
  16. 2011. 'Scars and Faultlines: The Art of Doris Salcedo', New Left Review, no. 69, May/June 2011, pp. 61-70. (國科會補助計畫:泥塑缺席和否定存在:懷特瑞德和撒塞多的記憶空間 NSC 91-2411-H-343-003)
  17. 2016. 'Hermés in Asia: haute couture, high art and the marketplace', Oxford Art Journal, 2016; 39 (3): 441-455.
  18. 2017. 'Fashion seduces art: From gallery to flagship store', New Left Review, November/December 2017; 108: 117-125.
  19. 2018. 'Moda, Sanatı Baştan Çıkarır: Galeriden Mağazaya', e-Skop: sanat tarihi eleştiri (http://www.e-skop.com/), 15 Feb. 2018. ('Fashion seduces art: From gallery to flagship store'土耳其文翻譯)

  20. 2018. Accepted: ‘Missing in action: women artists and biennials’, in Kunst und Politik, Jahrbuch der Guernica-Gesellschaft (Göttingen: Vandenhoeck & Ruprecht unipress), 2018.

四、會議論文
  1. Aug. 1994. 'Corporate Collectors of Contemporary Art in Britain', paper presented at the 8th International Congress on Cultural Economics in Witten, Germany, under a grant from the Graduate School Research Fund of University College London.
  2. Apr. 1995. 'The power of the Corporate Purse: The Corporate Intervention in Contemporary Art in the Thatcher Years', paper presented at the Democracy and Culture Conference, Reynolda House Museum of American Art, Winston-Salem, North Carolina, United States, under a grant from the Graduate School Research Fund of University College London.
  3. Feb. 1997. 'Corporate Art Collections and Corporate Elite in Britain', paper presented at the Annual Conference of the College Art Association in New York.
  4. Apr. 1999. 'The Guardians of the Enterprise Culture', paper presented at the Annual Conference of the Association of Art Historians in Southampton, U.K.
  5. Apr. 2002. 'Dream-worlds of Desire and Culture: The Phenomenon of the Japanese Department Store Museum', invited paper presented at the conference Marxism and the Visual Arts Now, held at University College London, U.K. (8-10 April 2002) (由British Academy補助全額機票與住宿費) (國科會計畫:藝術界裡跨洲際的資本:英國和日本企業的藝術贊助 NSC-90-2420-H-343-002).
  6. Feb. 2003. 'Memory under Surveillance: at the Intersection of Art and Politics', invited paper presented at the Symbolic versus Real: Aspirations and Outcomes in Site-Specific and Socially-Engaged Contemporary Art Workshop at Goldsmith’s College, University of London (13-14 February).
  7. Apr. 2003. 'Missing Presumed Dead: Absence and Remembrance in the Work of Doris Salcedo', paper presented at the 29th Association of Art Historians Conference, Birkbeck College and University College, London.
  8. Apr. 2005. 'Worlds Apart: Problems of Interpreting Globalised Art', paper presented at the 31st Association of Art Historians Conference, University of Bristol, U.K. (31 March – 2 April 2005).
  9. Sep. 2005. 'Trickle-down Art: Japanese Department Store Museums', paper presented at the 11th International Conference of the European Association for Japanese Studies, University of Vienna, Austria (31 August -3 September 2005).
  10. Nov. 2005. 'YBA Saatchi?: from Shark Sensation to Pastoral Painting', invited keynote address presented at the 3rd International Conference in the Novo Nordisk Art History Project, Danish Academy of Fine Art and Louisiana Museum of Modern Art, Copenhagen, Denmark (25-26 November 2005).
  11. Mar. 2006. '(Re)fashioning spaces for Art and Commerce: From the Global to the Local', invited paper given at the  conference Pacific Modernity: Museum Culture and Civic Engagement organised by University of California at Irvine and Museum of Contemporary Art, Los Angles (10-11 March 2006).
  12. Oct. 2007. 'Catwalks and Artworks: Showing and Selling on the Global Stage', invited paper given at the conference Between Culture and Capital: Art,Institutions and Corporate Patronage, organised by the Courtauld Institute of Art, London (10-11 October 2007).
  13. Oct. 2008. 'Art and the Spectacular: Biennials Sans Frontières', invited paper given at the conference Landmark exhibitions: Histories of contemporary art exhibitions since 1968, organised by Tate Modern and Jan van Eyck Academie, at Tate Modern, London (10-11 October 2008).
  14. April 2009. 'The Collector as Phoenix: Can Charles Saatchi rise from the ashes?', invited keynote paper presented at the conference Art and Commerce in the British Isles -18th-21st centuries, organised by The University of Rennes 2, Rennes, Brittany, France (23-24 April 2009).
  15. June 2009. 'Hermès in Asia: Haute Couture, High Art and the Marketplace', paper presented at the conference Fashions: Business Practices in Historical Perspective, annual meeting of Business History Conference (BHC) and European Business History Association (EBHA), Bocconi University, Milan, Italy (11-13 June 2009).  
  16. 26 May 2010. 'Catwalk to Culture: How the fashion industry values art’, invited paper presented at the Private and Professional Sectors' Contributions to arts education of the UNESCO's Second World Conference on Arts Education, hosted by the Ministry of Culture, Sports and Tourism Republic of Korea (25-28 May 2010, Seoul, Korea). 
  17. 23 October 2010. Ena Ying-tzu Chang & Chin-tao Wu, 'Mona Hatoum, Artist in Residence: A Nomad's Relationship to Community', paper presented at the 2010 International Conference of the Korean Society of Art Theories, Art on the Street, Seoul, Korea.
  18. 18 May 2011. 'Hermès in Asia: haute couture, high art and the marketplace', paper presented at the 2nd IEAS Conference on Contemporary European and American Societies. Institute of European and American Studies, Academia Sinica, Taipei, Taiwan.
  19. 25 November 2011. 'Corporate Art Collections in the UK and the US' (英美企業的藝術收藏), invited talk at the 1st China Corporate Art Collection Forum, held by the Ministry of Culture of China and China Europe Financial Exchange, Beijing, China.   
  20. November 2012. ‘Fashion and the Seduction of Art: From Gallery to Flagship Store’, invited paper at the 2012 CIMAM Annual Conference, held by the International Committee of ICOM, Istanbul, Turkey. (11-14 November 2012)
  21. November 2012. ‘Missing in action: women artists and biennials’, invited paper at the conference New Geographies of Feminist Art: China, Asia, and the World, held by Simpson Center for the Humanities, University of Washington, Seattle, U.S.A. (15-18 November 2012)

 

五、百科全書詞條編纂

  1. March 2010. 'Biennials and Art Fairs', Grove Art Online (New York: University of Oxford Press).   

六、其他外文出版品

  1. 2 August 2004. 'Dining Room for the Fat Cats', New Statesman, pp. 28-29. (英國出版品)
  2. February 2006. 'Wheeler-Dealer and Media Spoon-Feeder', The Jackdaw, no, 55, p. 25. (英國出版品)
  3. March 2009. 'Asian Biennials: Interview with Hans Michael Herzog', ArtNexus, no. 72, vol. 8, March-May 2009, pp. 68-78. (美國出版品)

七、國外公開演講 (Invited Lectures)

  1. 6 December 2005. 'YBA Saatchi?: from Shark Sensation to Pastoral Painting', invited talk given at Department of Cultural Stuies, University of Luneburg, Germany.
  2. 5 October 2006. 'O privado na cultura: algumas questões críticas', invited talk given at the Sesc (Serviço Social do Comércio) Vila Mariana, Sao Paulo, Brazil.
  3. 16 June 2007. 'YBA Saatchi?: From Shark Sensation to Pastoral Painting', invited talk given at Fritt Ord, Oslo, Norway, under the auspices of the Office of Contemporary Art, Norway.
  4. 29 June 2007. 'Corporate Intervention in the Arts: Some Critical Issues', invited talk given at Fritt Ord, Oslo, Norway, under the auspices of the Office of Contemporary Art, Norway.
  5. 29 November 2007. 'Corporate Intervention in the Arts: Some Critical Issues', invited talk given at Museu d'Art Contemporani de Barcelona, Barcelona, Spain. (29 November 2007)
  6. 9 Oct. 2008. 'Art and the Spectacular: Biennials sans frontières', invited talk given at Department of History of Art, University College London, London, U.K.
  7. 27 October 2008. 'Chin-tao Wu in Conversation (Privatising Culture and After: reflections of a roaming art historian)', invited talk at the ‘TrAIN Conversations’ series, University of the Arts London, U.K. (http://transnational.org.uk/)
  8. 18 June 2009. 'Art and the Spectacular: Biennials sans frontières', invited talk given at Institut für Kulturtheorie, Kulturforschung und Künste, Leuphana Universität Lüneburg, Germany.
  9. 12 October 2009. 'Privatising Culture and After: reflections of a roaming art historian', invited talk at the Cultural Management Program, Istanbul Bilgi University (Santral Campus), Istanbul, Turkey.
  10. 25 October 2009. 'Art and the Spectacular: Biennials sans frontières', invited closing talk to 28th International Biennialof Graphic Art at the International Centre of Graphic Arts (MGLC), Ljubljana, Slovenia.
  11. 12 November 2009. 'Art and the Spectacular: Biennials sans frontières', invited talk given at the Platform Granti Contemporary Art Center, Bilgi University, Istanbul, Turkey.
  12. 25 October 2010. 'Art and the Spectacular: Biennials sans frontières', invited talk given at the School of Visual Arts, Korea National University of Arts, Seoul, South Korea. 

八、國外媒體採訪報導

  1. October 2006. 'Um símbolo do poder e do dinheiro', (Interviewed by Daniel Hora), Valor, no. 318, pp. 3. (巴西聖保羅出版品)
  2. May 2007. 'Saatchi-Koden', (Interviewed by Bår Stenvik), Dagbladet, pp. 34-35. (挪威奧斯陸出版品)
  3. June 2007. 'Strukturer i et lite transparent felt', (Interviewed by Nina Schjønsby), Billedkunst, 2007, No. 4, p. 11. (挪威出版品)
  4. Nov. 2009. 'İstanbul Bienali ve Kültürün Özelleştirilmesi', (Interviewed by Sibel Yardımcı), Birgün, pp. 1 &11. (土耳其出版品)
  5. Winter 2009. 'Politično kortektno je, da uprizorite politično razstavo (It is politically correct to put on a political art show)', (Interview by Andrej Savski), Likovne Besede (Art Worlds), Winter 2009, pp. 35-42. (斯洛維尼亞出版品)
  6. Jan. 2010. 'Kültürün Özelleştirilmesi', (Interviewed by Ebru Mocos), Evrensel Kültür Dergisi, pp.73-75. (土耳其出版品)

九、受邀駐地訪問

  1. 5 May to 5 June 2007. Period of residence at invitation of Office of Contemporary Art, Norway (funded by Ministry of Culture and Church Affairs, and Ministry of Foreign Affairs, Norway).

十、國內媒體採訪報導

  1. 2008. 〈吳金桃在中研院史語所主講:伊朗裔藝術家娜夏特美式而火紅〉,《聯合報》,2008年3月27日,A14版。
  2. 2009. 〈中研院年輕學者著作獎:吳金桃風花雪月 靠逛精品店拿獎〉,《中國時報》,2009年6月2日,A7版。(http://news.chinatimes.com/2009Cti/Channel/Life/life-article/0,5047,11051801+112009060200071,00.html
  3. 2010. 〈時尚品牌「庶民化」 結合當代藝術〉,2010年2月17日,《聯合報》。(http://udn.com/NEWS/FASHION/BREAKINGNEWS11/5427453.shtml
  4. 2010. 〈名牌挺藝術 光環互輝映〉,《聯合報》,2010年2月18日,A7版。(http://udn.com/NEWS/READING/REA8/5427716.shtml

十一、其他中文出版品

  1. 中文文章著作列表
  2. 中文訪談文章列表
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