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294

E

UR

A

MERICA

Shamsie.

Transnational Literature

, 7, 1. Retrieved from

http://dspace.flinders.edu.au/jspui/bitstream/2328/35079/1/ Kaur_God.pdf

Khan, G. K. (2011). The hideous beauty of bird-shaped burns:

Transnational allegory and feminist rhetoric in Kamila

Shamsie’s

Burnt shadows

.

Pakistaniaat: A Journal of Pakistan

Studies

, 3, 2: 53-68.

King, B. (2011). Kamila Shamsie’s novels of history, exile and

desire.

Journal of Postcolonial Writing

,

47, 2: 147-158.

Mignolo, W. D. (2000). The many faces of cosmo-polis: Border

thinking and critical cosmopolitanism.

Public Culture

, 12, 3:

721-748.

Mignolo, W. D. (2011). Border thinking, decolonial

cosmopolitanism and dialogues among civilizations. In M.

Rovisco & M. Nowicka

(Eds.),

The Ashgate research

companion to cosmopolitanism

(pp. 329-347). Burlington,

VT: Ashgate.

Nakachi, S. (2012). “Why a second bomb?”: Kamila Shamsie’s

challenge to American xenophobia in

Burnt shadows

.

Journal of Ethnic American Literature

, 2: 132-141.

Potter, C. L. (2009, April 11). Burnt shadows, by Kamila Shamsie.

The

Independent

. Retrieved from

http://www.independent

.

co.uk/

Powell, K. A. (2011). Framing Islam: An analysis of U.S. media

coverage of terrorism since 9/11.

Communication Studies

, 62,

1: 90-112.

Rajagopalan, S. (2009, July 10). A defense of and against offence.

Livemint

. Retrieved from

http://www.livemint.com/Leisure/ cDOFJ8piKY2FG2DeSTJaGK/A-defence-of-and-against-off ence.html

Ranasinha, R. (2012). Resistance and religion in the work of

Kamila Shamsie. In R. Ahmed, P. Morey, & A. Yaqin (Eds.),

Culture, diaspora, and modernity in Muslim writing

(pp.

200-214). New York: Routledge.