歐美研究第五十二卷第三期

374 EURAMERICA analyzes what their capture narratives meant during their lifetimes, and how they continue to impact two different strains of popular representations of human-wildlife relations—the threat of violence and the desire for friendly kinship. Key Words: zoos, wildlife films, nature broadcasting, Gerald Durrell, animal capture

RkJQdWJsaXNoZXIy ODg3MDU=