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Researchers Visiting Scholars
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  • Publish Date:2019/09/19
    Modify Date:2019/10/28
John Michael Corrigan
  • Email:johnmcorrigan@gmail.com
  • Visiting Date:2019/09/16~2019/12/31
John Michael Corrigan

EDUCATION

  • PhD in English Literature, University of Toronto (2009)
  • M.A. in English Literature, University of Saskatchewan (2002)

AREAS OF EXPERTISE

  • American Literature
  • Romanticism
  • Modernism
  • Digital Humanities

ACADEMIC SERVICE

  • Associate Professor of Literature at National Chengchi University, Taiwan (2013 to the present)
  • Postdoctoral Fellow, Fox Center for Humanistic Inquiry, Emory University (2012-2013)
  • Assistant Professor of American Literature and English Language at Ming Chuan University, Taiwan (2010-2014)
  • Research Fellow, Centre for the Study of the United States, University of Toronto (2009-2010)

PUBLICATIONS

BOOKS

1)    American Metempsychosis: Emerson, Whitman and the New Poetry. New York: Fordham University Press, 2012. Reviewed in Nineteenth-Century Literature 68.4 (2014): 550-552; and in The New England Quarterly 86.1 (2013): 139-141.

2)    Romantic Legacies: Transnational and Transdisciplinary Contexts. Co-edited volume with Shun-liang Chao. London: Routledge, 2019.

 

PEER-REVIEWED ARTICLES & BOOK CHAPTERS

1)    “Faulkner’s Human Hive: Complex Systems in The Hamlet,” From Yoknapatawpha to the Virtual World: The Shape of Faulkner’s Digital County, edited by Theresa M. Towner. Charlottesville: University of Virginia Press, forthcoming.

2)    “‘You have to be a transparent eyeball’: Transcendental Afterlives in Matthew Weiner’s Mad Men,” Romantic Legacies: Transnational and Transdisciplinary Contexts, eds. Shun-liang Chao and John Corrigan. London: Routledge, 2019: 174-192.

3)    “Introduction: Romantic Legacies: An Incomplete Project,” Romantic Legacies: Transnational and Transdisciplinary Contexts, eds. Shun-liang Chao and John Corrigan. London: Routledge, 2019: 1-30.

4)    “Mask in the Museum: Impossible Gaze of the Indian Artifact in Verbinski’s The Lone Ranger,” New Review of Film and Television Studies 16.4 (2018): 393-414. Thomson/Reuters ESCI. (https://doi.org/10.1080/17400309.2018.1519198)

5)    “Murder in the House of Memory: Faulkner’s Plantation Prototype and the Elite Planter in Flags in the Dust,” Modernism/modernity Volume 4, Cycle 2 (2019). Thomson/Reuters A&HCI. (https://modernismmodernity.org/articles/murder-house-memory)

6)    “Emerson’s Sad Clown: American Romanticism and the Duality of the Humourist,” Humour in the Arts: New Perspectives, eds. Vivienne Westbrook and Shun-liang Chao. London: Routledge, 2018: 146-166.

7)    “Emerson in the East: Perennial Philosophy as Humanistic Inquiry” in Approaches to Teaching the Works of Ralph Waldo Emerson, eds. Mark C. Long and Sean Ross Meehan. New York: Modern Language Association of America, 2018: 187-191.

8)    “Sourceless Sunlight: Faulkner’s Sanctuary and the Sacrificial Crisis,” Mosaic: A Journal for the Interdisciplinary Study of Literature 50.4 (2017): 139-155. Thomson/Reuters A&HCI.

9)    “Encoding Yoknapatawpha: Considering Faulkner in the Information Age,” Mississippi Quarterly: The Journal of Southern Cultures 68.3-4 (2015): 470-473. Thomson/Reuters A&HCI.

10) “Codas of Creation: Emanation Mysticism and Alchemical Regeneration in Terrence Malick’s The Tree of Life,” Religion and the Arts 19.5 (2015): 552-582. Thomson/Reuters A&HCI.

11) “Disrupting Flow: Seinfeld, Sopranos Series Finale and the Aesthetic of Anxiety,” with Maria Corrigan in Television & New Media 13.2 (2012): 91-102. Thomson/Reuters SCI.

12) “Visions of Power and Dispossession: Emerson, Whitman and the ‘Robust Soul’,” Walt Whitman Quarterly Review 28.3 (2011): 122-140. Thomson/Reuters A&HCI.

13) “The Metempsychotic Mind: Emerson and Consciousness,” Journal of the History of Ideas 71.3 (2010): 433-455. Thomson/Reuters A&HCI.

14) “Emerson’s Ladder of Ascent: Modernity and the Platonic Tradition,” Dionysius 27 (2009): 155-172.

 

DIGITAL HUMANITIES PUBLICATIONS

1) “Faulkner’s As I Lay Dying.” Added to the project: 2014. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu

2) Corrigan, John, and John Padgett. “Faulkner’s ‘The Bear.’” Added to the project: 2015. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu

3) Corrigan, John, Johannes Burgers, and James B. Carothers. “Faulkner’s The Hamlet.” Added to the project: 2016. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu

4) Corrigan, John, Johannes Burgers, and Ben Robbins. “Faulkner’s The Mansion.” Added to the project: 2018. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu

5) Towner, Theresa M., and Lorie Watkins. “Faulkner’s ‘Centaur in Brass.’” Added to the project: 2015. Additional editing 2018: John Corrigan, Jennie J. Joiner.  Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu

6) Burgers, Johannes H., and Elizabeth Cornell. “Faulkner’s ‘A Rose for Emily.’” Added to the project: 2012. Additional editing 2018: John Corrigan, Jennie J. Joiner.  Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu

7) Towner, Theresa M., and Lorie Watkins. “Faulkner’s ‘All the Dead Pilots.’” Added to the project: 2015. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu

8) Padgett, John, and Stephen Railton. “Faulkner’s ‘A Bear Hunt.’” Added to the project: 2017. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu

9) Humphreys, Kristi, and Stephen Railton. “Faulkner’s ‘Skirmish at Sartoris.’” Added to the project: 2014. Additional editing 2018: John Corrigan, Jennie J. Joiner. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu

10) Railton, Stephen, and Theresa M. Towner, Johannes H. Burgers. “Faulkner’s Absalom, Absalom!.” Added to the project: 2017. Additional Editing 2019: John Corrigan. Digital Yoknapatawpha, University of Virginia, http://faulkner.iath.virginia.edu

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